Hope in a time of crisis

This is the kind of Amazon review that comes out of the blue and makes an author’s heart beat fast!

It’s particularly close to my heart as I was also stunned by the country house where Hester works, which is suddenly overwhelmed by casualties, being so unexpectedly reflected in real life as the pandemic hit.

I felt I was living in my own book for a while. But I took comfort from the fact that this part of The Ferryman’s Daughter had been inspired by the real-life descriptions of the heroism, and the kindness, of women and men battling against the odds to save lives during WW1.

Thank you from the bottom of my heart to the reviewer, who not only made this author’s day, but reminded me of how much we have pulled together and survived in the midst of our own crisis, and that so-called ‘ordinary’ human beings are, in the main, utterly amazing.

It also reminded me of preparing for the launch of Hester’s story in a world that had so abruptly changed, which felt overwhelmingly terrifying, as if thrust into the middle of a disaster movie, but with superhero and no way out. Now, looking back over the past months, I’m still aware of the tragedies, but also remembering hearing birdsong like I’ve never done before and the vivid scent of bluebells. Of relishing the one walk of the day in glorious sunshine and just how wonderful it was to meet my fellow dog walkers and talk to another human beings at a suitable distance, making connections like we’d never quite done before.

And yes, hearing the exhaustion in the voice of the front-line nurse, and glimpsing the trauma she hasn’t yet got the time, or emotional energy, to deal with at the back of her eyes, and fearing for those I love who are shielding. But also of slowing down, rethinking what is important amongst the everyday rush of life, and gaining new pleasure in watching the finches the blue-tits on my bird feeder bringing up their babies – not to mention the endless family squabbles of an entire tribe of sparrows.

And of talking to so many in this suddenly hungry-for-human-connection world who are also rethinking priorities and determined to live – however modestly, and in whatever difficult circumstances – in a new, and hopefully more satisfying way.

The trauma of the First World War led, over time, towards huge changes, not least the eventual setting up of our wonderful NHS and the safety net of the Welfare State. My own parents could remember a time before either, when the cost of a doctor was beyond many hardworking families. It is sometimes hard to remember it’s that recent. I will never take the NHS for granted again.

When I began writing The Ferryman’s Daughter, just eighteen months ago, I never could have imagined how life would reflect fiction and the events of a century ago. I’m glad Hester’s story is one of survival and optimism. She has helped me to keep optimism for our own future too.

You can read the review HERE

The kindle version of The Ferryman’s Daughter is currently on offer at 99p/$1.02 HERE

 

 

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The perfect comfort food – Grandmère’s Chocolate Cake!

Grandmère’s Chocolate Cake

For my series of serious comfort food, the kind Hester would love to cook to help her customers through troubled times, thank you Sophie Claire for this stunningly and deliciously comforting family recipe!

 

Sophie says:

In the new edition of A FORGET-ME-NOT SUMMER I’ve included a collection of all the recipes mentioned in the story. From Ratatouille to Navarin of Lamb, most of them are recipes handed down to me from my French Grandmère who was an excellent cook, and I always think of her when I make them – especially this chocolate cake, because the tin I bake it in was originally hers.

This is such a special recipe to me. It’s been handed down through my mother’s side of the family and it’s the cake Grandmère always used to make for us when there was a birthday or other celebration. I’ve never tasted another chocolate cake quite like it (believe me, I’ve tried many). Whatever you do, don’t overcook it. Five minutes too long in the oven and the middle will dry out. Like American brownies, you want the centre to be sticky and squidgy and a little sunken. It will glue your mouth closed and taste heavenly.

200g dark chocolate (not too bitter – I use Bournville)

100g butter

5 eggs, separated

200g sugar

100g plain flour

Icing sugar, to dust

 

Preheat the oven to 170°C. Grease and line the base of a 20-cm round cake tin. Gently melt the chocolate and butter. Remove from the heat and add the egg yolks, sugar and flour. Whisk the egg whites until stiff. With a metal spoon, gently fold the beaten egg whites into the chocolate mixture. Pour the batter into the tin. Bake for 30‒35 minutes.

When cool, dust with icing sugar.

 

If you fancy a lovely escape to sunny France, along with more French recipes, the kindle edition of Sophie’s book is currently on offer.

You can get a copy for 99p HERE

Or for $1.22 HERE

A FORGET-ME-NOT SUMMER

Small-town florist Natasha is determined to leave the past far behind her. But when she learns her ex-husband never told his family about their divorce – and that he needs her to accompany him on a trip to the French countryside – could love bloom again between them?

 

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Authors in Lockdown with exciting debut author Philippa East

In our suddenly changed times, I’m asking my fellow authors how they are dealing with being in lockdown and a new way of working. Along with any tips they might have for keeping creativity alive – or even using this time of seclusion to finally get those hidden talents up and running

Today, I’m delighted to welcome debut author and Clinical Psychologist, Philippa East, who is published by Harper Collins Imprint HQ to talk about adjusting to the new realities – and her top tip for surviving lockdown. 

Take it away, Philippa!

Boy, do I feel in limbo right now!

We are all in lockdown, I’m on planned leave from my day job as a Clinical Psychologist, most of the events I had lined up for the launch of Little White Lies have been cancelled, and I’m currently awaiting my editorial notes for “Book 2”!

It’s easy for the days to feel rather empty…

Illustration by Laura Rose

Saying that, I do think as writers, we have some advantages. We tend to be introverts, happy in our own company and our own heads. As a writer, I’m also a huge reader, and I still have plenty of titles on my TBR pile to entertain myself with over the coming weeks.

Still, these are not easy times. Speaking as a psychologist, threat and uncertainty tend to make us preoccupied, distractible and “frozen”. There are many messages out there about how “now is a great time to take up that project”, but creativity doesn’t easily flourish under conditions of bewilderment and fear.

Still, like my characters in Little White Lies who also must adapt to a life-changing event (the return of their missing daughter seven years after her abduction), I am always amazed at how adaptable human beings are. We can get used to a lot!

So what would be my top tip for surviving lock down?

I’d say structure and routine are key. Even if you’ve very little to do and almost nowhere to go, dividing the day up into activity chunks can really help. If we consistently walk the dog at eleven and schedule tea and a biscuit for four, this can be give a much-needed sense of order in the chaos! And if you can manage a half hour of creativity within that schedule, well then you’re really winning.

 

She only looked away for a second…

Anne White only looked away for a second, but that’s all it took to lose sight of her young daughter.

But seven years later, Abigail is found.

And as Anne struggles to connect with her teenage daughter, she begins to question how much Abigail remembers about the day she disappeared…

Addictive, edge-of-your-seat dark women’s fiction perfect for fans of Jodi Picoult, BCC drama Thirteen, and Emma Donoghue’s Room.

Little White Lies is available in paperback from Waterstones (http://b.link/littlewhitelieswaterstones)

 STOP PRESS! the e-book is currently on offer for just 0.99p in the UK HERE 

 The US version is available HERE

 

 

 

 

 

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Creating a back-story for your characters

When creating characters, they need to be built from their past experiences, from their back-story. Like all of us, it’s those experiences, and the way each individual deals with them, that forms their motivation, grabs (or even repels) the reader’s sympathies, and forms their character. It’s that funny thing with writing, it’s only when the characters start to take on their back-story that they really come to life. It’s also the point where they tend to take on a life of their own. As a writer, you can no longer direct them. You can give them a nudge in the right direction, but if they don’t want to take it, if it goes against their motivation and their character, then it rings false – just as it does in life. Of course characters in books, as in life, also change, and it’s the emotional journey that the main characters follow that forms the heart of any story.

Feuding families are always effective means of creating emotionally rich back-stories – think Romeo and Juliet and the Forsyth Saga for starters – and where would Eastenders be without a good feud? The central tension is there, danger is there, and there are endless possibilities and machinations to keep the plot zinging. Plus, let’s face it, there aren’t many families where there aren’t any tensions between acquaintances or different branches of the family.

Two feuding families always lay at the heart of my latest historical novel for Honno Press, The White Camellia. When I was first working on the book, I didn’t want to take the route of star-crossed lovers, but the story of two very difference women across the divide who – like so many women do – are the
ones who have to pick up the pieces as the unforeseen consequences rumble down the generations.

So while in Cornwall Sybil has fought her way out of destitution with nothing more than her wits, and is determined she and her family will never again face the horror of being out the streets, Bea loses her materially comfortable life, and is faced with trying to support her mother and little sister in Edwardian London, with few opportunities for women to work, let alone support a family.

Of course, at some point they have to meet, when the past catches up with them, and the two women have to decide whether to continue as enemies or make their peace. Strangely enough, it was that part of the story that was both most challenging and most intriguing, and where the back-story really came into its own.

The White Camellia began as a very simple idea, but in writing the book, the characters of Bea and Sybil, and the obstacles the past puts in their way by their interlinked back-stories, took on a life of their own, so in the end I just followed, and was taken to emotional places I could not have found as a simple puppet master directing the action according to my original plan. What I had not foreseen was that, for both my heroines, the background of the family feud was also one that set them on a path to self-knowledge, to forgiveness, and (hardest of them all) to self-forgiveness. It’s a journey we all take through life, but it’s the intensity of events and emotions surrounding something as extreme as a family feud that really gives them an edge.

The book I’m working on now does not have a family feud at the centre. In some ways it’s a relief not having the emotional complexities to resolve, but I also miss it as a structure. I have a feeling it’s a back-story I’ll be returning to again in the future – and send a new cast of characters on their own emotional rollercoaster ride!

 

 The White Camellia

UK edition

US Edition

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‘The White Camellia’ is in the #Amazon #Kindle sale!

I’m excited to find that my latest book from Honno Press, ‘The White Camellia’ is currently in both the Amazon and Kobo sale at 99p, and in the Amazon US sale at $1.22  

(links below)

 

Cornwall 1909

Sybil has fought her way up from nothing to become a successful businesswoman. It seems she has the world at her feet.

Against her better judgment, she buys faded Tressillion House on the wild Cornish cliffs. A house with a tragic past of greed, folly and revenge, linked to the goldmine in its grounds. Sybil cannot forget that the Tressillion family once destroyed everything she held dear, or the revenge that, in a moment of bitter fury, she took to pay them back. Her actions have had consequences that have haunted her ever since, and surround her with secrets that could destroy everything she has fought so hard to become.

But help comes from the most unexpected places, from the very family she has destroyed, setting Sybil off on the long, hard road towards self-forgiveness and the chance of happiness once more.

A thrilling, moving and uplifting story of loss and redemption, of the power of friendship, and the enduring power of true love.

AMAZON

99p from Amazon UK HERE

$1.22 From Amazon US HERE

KOBO

99p From Kobo UK HERE

 

Praise for The White Camellia:

“This was an effortless read that glided through the scenes perfectly… a great book for reading on a rainy Sunday or on the beach while waiting for afternoon tea.“
 Katie Scott, Blooming Fiction

“There’s nothing I enjoy better than being wrapped up in the pages of a book that totally transports you into its world, to such an extent that you really don’t want to leave… Beautiful writing, wonderful storytelling, and onto my Books of the Year list without a moment’s hesitation.“
 Anne, Being Anne

“This book effortlessly transports us to a time where much of what we as women take for granted was definitely not a given!… This is one of those books that you don’t want to put down….to hell with the washing up and the laundry! It will wait until the last lines are read!“
 Andrea, A Chance To Blog

“The White Camellia is a moving story, portraying the lives of ordinary women who take huge risks in standing up for themselves and fighting for justice… full of suspense, mystery and engaging characters, with a small portion of romance and plenty of drama.“
 Rachel Carney, Created To Read

“This is Juliet Greenwood’s third novel and in my view, her best to date. Her writing has matured, settings are beautifully drawn; characters leap off the page insisting on being heard.“
 Word Bird, amazon.com

“The setting is immediate and revealing. The author has used all her senses to portray the era the novel in based in. And this talent continues throughout the book, in every scene described… I’ve always held Juliet Greenwood’s work in great esteem; her style of writing, gentle but with an honest reality about it. This is one book I can thoroughly recommend. A great read.“
 Judith Barrow

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Seeing your book published – and afternoon tea!

There was only one way to celebrate publication day for ‘The White Camellia’.

In homage to the Victorian and Edwardian ladies’ tearooms that gave women the freedom to escape their families, talk freely to other women and even (shock, horror) men who had not been vetted by their fathers as suitable husbands, it had to be cream tea with friends. What could be better than cream tea in Anna’s Tearooms, a traditional tearooms within the medieval walls of Conwy, and in the shadow of its castle?

Celebrating with fellow Novelistas Trisha Ashley, Louise Marley, and Anne Bennett. Thank you to Trisha for the photo!

It was a lovely relaxed day after all the last minute dash, as there always is, to get a book in on time and get all the publicity up and ready to go.

It was a strange feeling, as it always is, to see the book up there – especially when the kindle edition appeared. That’s when you know it’s definitely out there!

Thank you to Trisha for the photo of the proud author with her baby!

So now the story that has been my obsession, day and night, for the past two years has finally flown the nest, and is where it should be, with its readers. It’s still quite a strange feeling! I’m excited and nervous – but also caught up with the next book. Oh, and that thing called housework (only where strictly necessary, of course).

But for one September day, it was lovely to relax with friends, and wander around Conwy in the sun, with the visitors out enjoying the sudden return to summer.

So here’s to ladies’ tearooms, rebellion, good conversations and friends!

There’s still nothing like holding your book in your hands, and seeing it out there, taking on a life of its own.

Thanks to Louise for the photo – with scone, of course!

The White Camellia

For US edition click HERE

For UK edition click HERE

Cornwall, 1909 

 Her family ruined, Bea is forced to leave Tressillion House, and self-made businesswoman Sybil moves in. 

Owning Tressillion is Sybil’s triumph — but now what? As the house casts its spell over her, as she starts to make friends in the village despite herself, will Sybil be able to build a new life here, or will hatred always rule her heart?

Bea finds herself in London, responsible for her mother and sister’s security. Her only hope is to marry Jonathon, the new heir. Desperate for options, she stumbles into the White Camellia tearoom, a gathering place for the growing suffrage movement. For Bea it’s life-changing, can she pursue her ambition if it will heap further scandal on the family? Will she risk arrest or worse?

When those very dangers send Bea and her White Camellia friends back to Cornwall, the two women must finally confront each other and Tressillion’s long buried secrets.

My previous novel, ‘We That are Left’ is £0.99p at the moment

 

 

 

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My author copies of ‘The White Camellia’ have arrived!

A few days ago, copies of my book arrived from my publishers, Honno Press.

It’s beautiful. I tore open the packet and lifted out the top one, and sat down and stared. I couldn’t quite believe it was real. Of course, I’ve been looking at the cover of ‘The White Camellia’ over the past months, and I’ve been working on story for over two years, and this is not my first book – but it still has that punch-to-the-stomach astonishment that it’s there at all.

Holding it lovingly in my hands is a reminder that the creation of a book is such a long, intricate, and at times agonizing process. I love that first moment when an idea hits, like an explosion in the brain, sometimes apparently out of nowhere, and you just know it’s going to work. Then comes the long, hard slog of getting that story down, revising, and revising, and revising until it works. I always find the first rush of enthusiasm inevitably turns to despair at some point, as the whole thing begins to feel like a seriously bad idea, and it just becomes a slog to get to the end, because I’m stubborn like that.

Then, just as you get it to where you think it’s right, its time for the first outside view. In my case, it’s my editor, the wonderful and totally perceptive Janet Thomas, and the whole process starts all over again. I’ve said before how much I love the editing process. With each book, I’ve also found that each time is different. Each time, I’ve learnt a little more, but also I’m stretching myself, trying something new, and so with something new again to learn. I might pretend to myself that I don’t, but I usually find that the bits that are picked up are the ones that were niggling at me, along with the bits I haven’t thought of at all, and which are usually down to me still living in the story, and forgetting my reader. Which is where an editor comes in, as a mediator between writer and reader, so that story gets out there just as you want it to be.

I get such a buzz from the to and fro of refining the story, ironing out the glitches and the bits that don’t make sense, and being pushed and pulled and prodded into going places (particularly emotional depth kind of places, where your very soul is ripped apart and hung out to dry) I never thought I’d dare. Then finally, after the line edits and the copy edits, at the point where you loath the story and wish you’d never started this writing lark in the first place, this miracle appears. A real, beautiful, book.

It’s quite strange, glancing every now and again at the copy of my book propped up on my Welsh dresser to be adored as I pass. At the moment it’s in limbo, waiting for publication day. Very few people have seen it, even fewer have read the story. It hasn’t met its readers yet, so it stands there, in a curious kind of existence, both exquisitely real and not yet quite real at all.

When I saw my first book, ‘Eden’s Garden’, I couldn’t believe it was so small. After all that blood, sweat and tears, it felt it would be at least size of a building. It still felt a bit the same with my second, ‘We That are Left’. With ‘The White Camellia’ it just felt beautiful. It wasn’t any less hard work, but it wasn’t such a totally overwhelming experience. I’ve grown in my writing journey.

 

So, while I wrestle with the soggy middle of the next book, and wonder why I ever though this was a good idea in the first place, while making notes for the one after that, which is in the totally pure inspirational state (as in, I haven’t started writing it yet), I’m getting ready to send my latest baby out into the world. I’m enjoying having ‘The White Camellia’ all to myself for a couple of weeks, before she sets out to find her own way in the world, in her rightful place among her readers, and doesn’t really belong to me any more.

Because, in the end, it’s readers who make each book really live – and that, I’ve realised, is the whole point of the editing process, after all.

I can’t wait until September 15th – publication day for The White Camellia’, when Sybil and Bea, and all my beloved characters (even the ones that make your skin crawl) finally become real.

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Being in the Christmas Edition of ‘Good Housekeeping’

I never expected to find myself in ‘Good Housekeeping’.

I’ve been published in magazines before, but it has almost always been fiction. So when I was given the chance through my publishers, Honno Press, to pitch for an article in the Christmas edition, my first reaction was that it wasn’t for me. The article was about ‘How we remade Christmas’ after a family change, or the dead of a loved on who had been central to family Christmases. What could I write about? My Christmases are very quiet and ordinary. I had nothing to say.

By a strange coincidence, I was joining up with my family in the cottage in the wilds of Snowdonia where we used to spend Christmas. Being there, I remembered all those Christmas, fourteen vegetarians sitting down to (a very delicious) Christmas dinner, cooked by my dad, who was always the centre of Christmas. It wasn’t that we were just all vegetarians. The cottage really is in the wild and for many of those Christmases had no electricity (candles were not just for Christmas) and a loo in the pigsty at the bottom of the garden (in an isolated valley with no lights, surrounded by forest – just the thing to develop the imagination …) and several times were snowed in and had to be rescued.

Candles (and oil lamps) were not just for Christmas

 

 

 

 

 

The cottage is there somewhere!

In fact, it was one of those times were were snowed in at Christmas when I was very small, and were down to our last handful of coal and tins of baked beans, and having to break the ice over the spring to collect water, that became the very first story I ever had published, the story that made me a professional writer. It was something I’ll never forget, following the rest of the family, clutching my doll as my mum clutched my baby brother, making my way through snow that was nearly higher than me, as we made our way over the fields to be sledged down the steep hill to my uncle, who had battled his way along treacherous single-track roads in a battered Landrover.

The old fireplace with the remains of the range

Mum at the cottage at Christmas in the 1950s

So, in fact, it turns out the Christmases I thought of as ordinary, were not really ordinary at all. And the way we remade Christmas after my dad died, in Swedish style, reindeer sausages and all, was about as different as you can get. And then there was the fact that this Christmas would have been my dad’s one hundredth Christmas. The Christmas he was born, was in the midst of the horror of the First World War. History is that far away, and yet so close.

 

I’m delighted my article was chosen to be in ‘Good Housekeeping’. I’m not sure what my dad, the child of working-class Victorians, brought up in a level of poverty unimaginable in Britain today, and a proud, stubborn, Yorkshireman to boot, would have made of it all. Although I rather suspect that secretly he would be chuffed to bits, and (as a non-drinker) might even have raised a small glass of wine to the occasion.

And the Swedish bit? Ah, well you’ll have to read the article to find out!

 

 

 

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‘We That are Left’ is £0.99p / $1.47 for one day only!

I’m delighted that ‘We That are Left’ is an Amazon Kindle Daily Deal for Easter Day! 

In the UK it’s £0.99p                 In the USA it’s $1.47

Just for one day only!

Thank you to Literature Wales and their wonderful writer’s bursary that helped me concentrate on finishing the book.

In 2014 ‘We That are Left’ was the Book of the Month for Waterstones Wales, The Welsh Books Council, and The National Museums of Wales.

“August 4th, 1914: It was the day of champagne and raspberries, the day the world changed.”

‘We That are Left’

Honno Press

Elin lives a luxurious but lonely life at Hiram Hall. Her husband Hugo loves her but he has never recovered from the Boer War. Now another war threatens to destroy everything she knows.

With Hugo at the front, and her cousin Alice and friend Mouse working for the war effort, Elin has to learn to run the estate in Cornwall, growing much needed food, sharing her mother’s recipes and making new friends – and enemies. But when Mouse is in danger, Elin must face up to the horrors in France herself.

And when the Great War is finally over, Elin’s battles prove to have only just begun.

Praise for We That are Left

A Country Wives Top 10 Riveting Read of 2014:
“When I started to read it, it was like putting on a pair of comfortable old slippers. I just slipped into the characters lives and I devoured every page for its simplicity and honesty.”
Annabel, Country Wives

“Ms Greenwood is a mistress of storytelling. Her novel pulls the reader in from the very first page… I have no doubt whatsoever that you will simply adore Juliet Greenwood’s latest novel. I know I did!”
Edith O’Nuallain, Story Circle Book Reviews

“This is such a moving story, one full of emotion and the author captures the atmosphere and adds details that make you feel as if you are there too with Elin. It really was a delight to read this book and I didn’t want it to end at all.”
Rosie Amber

” I just slipped into the characters lives and I devoured every page for its simplicity and honesty.”
Annabel, Country Wives (http://www.countrywives.co.uk/left-juliet-greenwood/)

“‘We That Are Left’ spans the four long, life-changing years of 1914-1918 and beyond, portraying the effects of the war not merely on the novel’s characters but on British society as a whole, capturing the final days of a passing era and way of life. It is beautifully written, wonderfully paced. There is romance, adventure and suspense. And there is, as in Eden’s Garden, quiet contemplation of the themes of grief, loss and loyalty, and of the way in which our past experiences shape our future selves. It is, quite simply, a riveting read.”
Suzy Ceulan Hughes, http://www.gwales.com

“There are few greater delights than a book that draws you in from the very first pages and immediately makes you care about what happens next, that demands your attention in every free moment you can conjure until the end.”
Claire McAlpine, Word by Word (http://clairemca.wordpress.com/)

“powerful and moving”
Trisha Ashley

“Juliet writes with obvious passion for and knowledge of her subject. Indeed Juliet communicates with an emotional eloquence and understanding that’s contagious in a good way making her novels very much worth our time.”
Ani Johnson, thebookbag.co.uk

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Winners and congratulations!

Congratulations to the winners!

First of all congratulations to Shirley who won the Oapschat competition with a prize of a signed copy of ‘We That are Left‘ and a box of handmade Cathryn Cariad chocolates inspired by the recipes in the book. 

Congratulations to the winners of the Goodreads giveaway of ten (hotly contested) signed copies of ‘We That are Left’ which are currently being packed up all ready to go winging their way towards you.

My publishers have generously found me a second box of Cathryn Cariad ‘We That are Left’ chocolates in need of a good home.

Watch this space!

And thank you to everyone who tweeted and posted and shouted out loud that ‘Eden’s Garden’ was in the Amazon Kindle sale on April 1st – propelling it to number #1 in the Women’s Historical Fiction Charts for the third time in a year.

I think this calls for Elderflower champagne – and cake!

‘We That are Left’ UK       ‘We That are Left’ USA

‘Eden’s Garden’ UK     ‘Eden’s Garden’ USA

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