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Posts Tagged ‘The White Camellia’

Bodnant Magnolia

Spring is in the air – let the sunshine and the publicity begin!

Over the past few days, I’ve emerged bleary-eyed from editing ‘The White Camellia’, blinking at bright sun that has suddenly appeared amidst the rain (don’t mention rain), with banks of primroses in my garden, and the frogs boldly chirruping in my pond.

Camellia 1

It was clearly time to get out from behind the desk, and back into the world again. Writing, and especially editing, is an all-consuming business, which I love, but I also always have to remind myself the importance of taking time off afterwards, and letting the jumbled, scrunched, and tumble-dried brain take in some much-needed stimulation that has nothing to do with words at all. Taking publicity photographs is a perfect way of coming down from the editing intensity without that empty feeling of having nothing to do (housework, however dire the post-editing house, doesn’t count).

White Camellia in Bodnant

My first mission was to hunt down as many camellias as I could find while it was still the blooming season –which given the oddities of this winter in the UK, was definitely urgent.

So on the first fine day, I twisted a friend’s arm, and away we headed to Bodnant Gardens in the Conwy Valley. It was the last few days of dogs being allowed in every day for a while, so Phoebe, and her elderly collie friend, Lucy, could come with us, on best behaviour, of course.

Bodnant gardens

I love Bodnant Gardens. There are formal bits, and a valley with a lake and a rushing stream, and whatever time of year, there’s always something to see. Being sheltered and near the sea, it’s sometimes hard to believe it’s north of Snowdonia, except for the snow capped mountains in the distance. I’d gone to photograph any camellias I could find, but there were also snowdrops, banks of daffodils about to flower, pretty irises and crocuses, and so many different varieties of hellebore it seemed there was another delight around every corner.

Hellebore

It was a wonderful surprise to be reminded of just how much life there is out there, even at this time of year, and, with the azaleas about to bloom, with a promise of more delights to come.

I love my own garden, but I could never grow the variety of plants, or the sweeps of snowdrops under the trees. It was an unforgettable day, wandering in the (sometimes) warm sunshine, watching new life begin to unfurl.

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I have a feeling that I shall have to go back on the next fine day, to see how it has all progressed. For the purposes of publicity, of course. Or, with the next book brewing, a little research…

Stop press: ‘We That are Left’ is currently on Amazon UK for £0.98! 

Amazon US at $1.36

 

 

WW1 Seed Cake small

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Shell at llanf

 

Spring is definitely (if a little tentatively) in the air.

Time to emerge from finishing a book, followed by embarking on the edits for ‘The White Camellia’, which will be published by Honno Press this September.

The Hellebores take a bow

I love editing. Well, that is after feeling impelled to clean the bath, de-flea the dog, and other glamorous pastimes to avoid getting down to it at all. Followed by the ‘I can’tdo this’, ‘who do I think I’m kidding’, and ‘maybe the day job isn’t so bad after all’. Then I grit my teeth, ignore the washing, and get down to it, and we’re away, on the rollercoaster ride of coaxing and tweaking this book into the book I’ve always wanted it to be.

This is my third experience of working with my wonderful editor, Janet Thomas. This time it has been both different and the same. Different because there are not nearly as many edits as for ‘Eden’s Garden’ and ‘We SnowdropsThat are Left’. I’ve learnt the lessons and developed my inner editor, which feels like the moment you take off those stabilisers and soar off on two wheels.

Now, I’m not saying that I don’t need an editor. However experienced I get, I will never, ever say that. This time is just the same as before – an editor is the link between the writer and the reader, and all those bits that, as the writer, you just can’t see, because the story is alive in your head. There I was, worrying and fiddling over all kinds of aspects – and totally missed the one that wasn’t there, because I thought it was. It was in my head, but my readers don’t read inside my head. And, as ever, the moment it was pointed out, I knew exactly whatmy editor meant, and that she was right.

I’m not saying that I always obey: I often go off on a tangent and find a new solution that neither of us have thought of, and that makes for a much better story. I’m glad to say the buzz of editing is still there, big-time. I have loved every minute of it.

Winter sun

So I shall now crawl out from the emotion ride of my writing life (so far), blinking into the light of day, and my miraculous transformation from an Edwardian Cornwall to twenty-first century Snowdonia, into a house that is a tip, a garden best not mentioned, and a dog tapping her dainty little paws, demanding normal walkies service to be resumed instantly, or else.

And somewhere out there, is a cover for ‘The White Camellia’ all ready and waiting – and it’s gorgeous. And top secret, for now.

I can’t wait for the next part of the journey!

The White Camellia

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